Classical Rev Musician Spotlight: Rick Robinson!

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Wait, it’s the end of February already?! For those accustomed to our updates every few weeks, the busyness and excitement of the last few weeks serves to show that even blogs have to take a back seat to good ol’ fashioned fun + music!

Earlier this month, Classical Revolution Detroit’s director and bassist extraordinaire, Rick Robinson, paid a visit to Cleveland: three days, two bar shows, 1 great ensemble + music line-up, and an NPR broadcast concert and interview to boot! (If you missed his interview & music on “The Sound of Applause,” check it out here:
http://www.ideastream.org/applause/entry/67970

Rick’s got strong Cleveland ties and a love of sharing his music and the idea behind his CutTime productions with our city… so we thought it essential to highlight his projects with a bit of background info.

Looking forward to our next show at the Happy Dog? PERFECT! Our monthly stint in March just happens to fall on St. Patrick’s day! Be prepared to come for a mix of great classical, jolly jigs, and a few surprises! See ya there, on March 17!

-Ariel


Rick Robinson, bassist and artistic director of CutTime Productions:

Who are you??
I’m Rick Robinson, originally from Detroit, IAA, CIM, NEC, then returned for Detroit Symphony for 22 years. Once I read a reference to CR in 2010, I pretty much knew I had to start the Detroit chapter. I had been very hot to start bringing classical amplified into bars and clubs. Shuai Wang hooked me up with Charith and we launched around Beethoven’s two birthdays in 2010!

In a city that bustles with independent classical music projects, what makes you/your ensemble unique?
Detroit is not as fortunate as Cleveland to have three top music schools teeming with eager students. CutTime®, in development since 1993, has many music and business skills to inspire the bolder young musicians, and much to learn in exchange. To find validation, we need to first offer validation in a spirit of equality. CutTime is one of the few ensembles dedicated to symphonic repertoire, and then presenting it intimately to re-introduce a personal context for this music. We dare to answer the burning question, WHY is it called classical music?

Any upcoming performances or recent notable events?
Check out http://cuttime.com/calendar/

Any focus on education/outreach/community engagement?
This is our ORDER, our mission. CutTime is ideal for schools, but our intended markets are whites age 25-40 and ethnics age 35-65.

Long-term plans/goals for you and then ensemble?
CutTime works with a porous model, without regular members, to spread our ideas, methods and music faster than fixed players. CutTime HIRES musicians wherever it needs to go, saving on hotels and tapping their local ties. Music is LOVE: spread yours!

Craziest gig or performance memory?
Playing duets (violin and bass) on a moving Detroit elevated train (People Mover loops around downtown) for a civic project!

Most moving/satisfying/affirming performance memory?
Too many to count… from playing with the DSO in the Musikverein in Vienna, playing Mahler 9 in Orchestra Hall, to seeing my own compositions move someone in a bar.

Favorite NON-musical activity?
Sailing dingies and keelboats, BBQ and Belgian-style beer…

Favorite NON-classical music for artistic inspiration?
Any variation on blues, incorporating gospel.

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